In the good old days when Roger Corman was producing about two dozen exploitation movies a year for American-International, he had this interesting way of getting the most for his money. He'd go through all the current acting contracts to see who still owed the company a few days of work. And then if, say, Boris Karloff was still on the books for four days, Corman would commission a horror movie that could be about anything. There was only one requirement: The script had to include four shooting days with Karloff. No more.
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